In 2009, Shinbo and Oishi directed Bakemonogatari, which was later characterized as a hallmark of the studio's unique aesthetics.
Pani Poni Dash! and Negima!? character designer Kazuhiro Ōta left the same year. Kamitsubo and Oonuma, however, left by the end of the decade, with the latter joining Silver Link where he established a similar role to Shinbo's.
#Ef english live 活用方法は series
The next two years also saw the release of REC (2006) and Kino's Journey: Country of Illness -For You- (2007), which would be the last series produced by Shaft not to feature any involvement by Shinbo for more than a decade.ĭuring the mid-to-late 2000s, a number of new directors joined the studio as employees or associates, including Ryouki Kamitsubo, Naoyuki Tatsuwa, Kenichi Ishikura, Yukihiro Miyamoto, Shinichi Omata, Tomoyuki Itamura, and Gekidan Inu Curry. The same year saw the first animated production under the influence of "Team Shinbo", a director trio consisting of Shinbo, Shin Oonuma, and Tatsuya Oishi, who played a vital role in the studio's early stylistic decisions. Shaft's final co-production with Gainax came in 2005 with He Is My Master. In October 2004, the studio animated its first production with Shinbo as director, Tsukuyomi: Moon Phase, and he began serving as an executive director and mentor to the studio's staff. After watching The SoulTaker (2001) and Le Portrait de Petit Cossette (2004), both works directed by Akiyuki Shinbo, Kubota decided that he wanted to work with Shinbo to create a uniquely identifiable brand for the studio. In 2004, Wakao was succeeded as Shaft's representative director by production manager and color designer Mitsutoshi Kubota, though he remained a chairman on the studio's board. In 20, the studio produced an adaptation of the visual novel Popotan, and later This Ugly yet Beautiful World, an original series co-produced with Gainax. 2002 was also the release of the studio's production with TNK, G-On Riders. The first of the productions under these co-operations was Mahoromatic (2001) and its sequel Mahoromatic: Something More Beautiful (2002–03), both with Gainax. Shaft entered co-operations with studios Gainax and TNK around 2000. By this time, several directors and animators had joined the studio, such as Toshimasa Suzuki and Kunitoshi Okajima, who returned for Sakura Diaries (1997) and Dotto! Koni-chan (2000). In 1995, the studio moved to producing full-length series, starting with Juuni Senshi Bakuretsu Eto Ranger. įor the next several years, the company returned to sub-contracting work based on animation production services rather than its painting services, such as with the Mushi Production film Ushiro no Shoumen Daare (1991). In the same year, the studio produced the first episode of the Taiman Blues: Naoto Shimizu-hen OVA series. Not until 1987, however, with the release of the Yume kara, Samenai original video animation (OVA), did the studio release its first wholly-original production. In 1984, Shaft was sub-contracted by studio Zuiyo to animate the Elves of the Forest television series, marking the company's first project as a primary animation studio. Much of the company's early work was sub-contracting work for larger animation studios, which includes credits to cel painting and color coordination work, such as with Brave Raideen (1975–76), and occasionally credits as an assistant production studio for projects including Pierrot's Urusei Yatsura 2: Beautiful Dreamer (1984).
Shaft was founded on September 1, 1975, by ex- Mushi Production employee Hiroshi Wakao.
History 1975–1984: Early sub-contracting work
0 kommentar(er)
